MIG-31

The key to Far Cry 2's appeal isn't the vast open landscapes. It isn't the forward thinking technology that powers the striking, adaptive storyline, nor is it the truly extraordinary visuals.

It's not the violent slapstick and chain-splodes of the hysterically volatile camps, filled to the brim with ammo dumps and fuel tanks. It's not the moments of pure adrenalised catharsis, where, rifle in hand, you power through smoke and machinegun fire, enemies to the left and right. It's not even when you stride through the ruins, calmly putting down survivors by plunging a machete into their chests.
____________
Review: CVG


In every civil war, there's a moment when the lines have been drawn, but neither side wants to shoot first: a sickly, sweaty sort of time, full of mistrust, fear and empty posturing. That's where Far Cry 2 lives: a world composed primarily of tension. It hangs in the dusty air even during the opening cab ride, bubbling up suddenly as reckless traffic barrels unexpectedly past at an intersection, or threatening to boil over at that first roadblock, when the militiamen stalk around the car firing off questions and staring, sizing you up before eventually letting you past.
____________
Review: Eurogamer

Far Cry 2's not a game short on ambition – taking a piece of revered Victorian literature as its inspiration is just one of the many bold moves that Ubisoft Montreal has taken in its return to the framework of Crytek's 2004 original. But with its aims set so high, can it craft an enjoyable experience?
_____________
Review: IGN

Check Out GH's Review [COLOR=#7385b8]Here[/COLOR].

__________________