OK let me tackle this a little at a time, as some of it is a little hard to explain.
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Originally Posted by Slippers
Great .. I was thinking that too. I can just leave them disabled then or totally delete them ... can't I?
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Yes, you can unload the plugins for the unused FxBus channels.
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Yes. I found that I was getting a much stronger right side signal on the LineIn from my Behringer mixer...
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That is fine if it is a mono signal anyway, but I wonder why you are getting a stronger signal on the right channel...
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Ok ... I did that because I was confused why the inputs on the ASIO5.1 went ASIO(0), ASIO(1), ASIO(2), ASIO(5), ....
What happened to ASIO(3) and ASIO(4) ??
What math do I have to do to find out where they went?
I wanted to make sure that there was no errors and that anyone responding to the message would be able to do so accurately.
I will omit those lables the next time I post something.
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That is fine, and can be useful for plugins that are more model specific (i.e. ASIO 5.1), but for other plugins it is not necessary (i.e. with MX6 and kxlt, the input/output names are not important (they are bacially the same for everyone), what is important with those plugins is to be able to see how they are connected and configured).
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Originally Posted by Slippers
What do you mean "Send Type Effect"...
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Some effects have there own WET/DRY mix controls while others do not.
There are (mainly) a couple different ways to use effects.
As an insert type effect, where there is only one signal pathway, and 100% of the signal is sent through the effect(s), and the signal is taken from the end of the effect chain to be recorded, etc (like guitar effect stomp boxes).
The other way is to use an effect send type of setup, were you split the signal and send a portion (whatever amount you want) of the signal to the effect, and a portion of the signal bypasses the effect, and then the two signals are recombined (mixed together) at another point beyond the effects output, so that you can control the WET/DRY mix (and thus the amount of effect that is applied to the signal). MX6 has two send outputs that can be used for this. i.e. Connect the effect(s) to the send outputs of MX6, and then adjust the SEND1/SEND2 sliders in the MX6 GUI to control how much of the signal (for each input) is sent to each send, Then you can connect the output of the effect(s) to an unused input of MX6, and thus mix it in with the dry signal (by enabling that input for Main and/or Recording and adjusting the levels however you like).
More to come...